Bridget Jones: The Edge
of Reason —But Our Little Bridget Always has a Reason
to Live on the
Edge by The
Blonde and The Maven Film Columnists
The
sequel to the 2001 $71.5 million (domestically) and
$208.5 million (overseas) grossing blockbuster hit that
has been long awaited is finally here. Ladies, Bridget
is the British gal you just can't help but love and
identify with, in one way or another. The original film
about an insecure girl enduring daily embarrassing and
humiliating situations ended as a happily ever after
fairytale with her surprise knight in shining armor.
The 2004 sequel takes place six weeks after the
original ends. It seems that no matter what our little
Bridget, played again by Renée Zellweger (Chicago and
Cold Mountain) does, whether it is skydiving into a
pigpen, sliding off a skylight, arriving late to a
formal affair slathered in blusher, or falling off a ski
lift, it doesn't seem to make her adorable beau and
successful lawyer Mark Darcy, played by Colin Firth
(Love, Actually and What a Girl Wants), fall out of love
with our little darling. However, this time our
self-loathing, insecure, cigarette smoking, over-eating,
plump, and opinionated Bridget is facing conflicts of
class divisions with her honey. This is what finally
does break them up, along with her passive aggressive
behavior and jealousy. Just when Bridget is at her
lowest point and totally depressed, she is once again
faced with the flirtatious, irresistible cad and old
flame Daniel Cleaver, played by the dashing Hugh Grant
(Knotting Hill and About a Boy). Bridget, a TV
journalist, is forced to go on assignment to Thailand
with Daniel, which is where the story gets off on a
different pattern than the original. With his devilish
charms, Cleaver once again adds to the confusion of our
little damsel in distress. Fortunately, she is reminded,
dead on, of Daniel's true colors before she once again
falls into his web. After finishing their assignment,
when Bridget is about to board the airplane for London,
she innocently gets busted for drug possession.
(Something her girlfriend unknowingly gave her to put
into her suitcase). She is thrown into a filthy prison
full of female hookers and junkies. Poor little
lassie…That's all we can reveal for now. Go have fun and
see if Bridget finally has a happily ever
after.
The
Blonde: Bridget Jones: The Edge of Reason was like the
original Bridget Jones meets “I Love Lucy.” The most
amazing thing about this film, in my opinion, is how
Renée gains weight and loses it and gains it again and
loses it to make her character of the film real. I don't
think I would do that. In fact, I KNOW I wouldn't! That
is SUCH a risk for a woman. I admire her for that
commitment. I also think she captures a very authentic
cockney accent. I must tell you readers that I could NOT
WAIT for this film. I was so excited to see it, as I
loved the first Bridget Jones film with a passion. I
loved the character so much because all of us women feel
or go through what Bridget did, in some way. After all,
everyone has insecurities of some sort or fashion. Even
though I did enjoy this film and found myself smiling
during most of it, I don't think that it achieved all of
the genius, luster and creativity that the original
displayed.
The
Maven: Many movie critics are claiming that this sequel
doesn't have the punch that the first movie did. Well, I
never saw the first one, so I am in the unique position
of giving a completely unbiased opinion. The main
character is adorable, forthright, and insecure as most
of us are. My only criticism is that Bridget /Renee
could have used a tad more makeup. I find it hard to
believe that a British News Reporter (minor one at that)
would not indulge in some face powder and lip gloss.
The
Blonde: My, my, my with a statement such as that, you
are missing the whole point of this character. That is
who she is, plain yet adorable and lovable.
The
Maven: I understand she was supposed to be frumpy, but
even frumpy chicks use some embellishments.
The
Blonde: Well, you oughta know!! MEOW, MEOW!!! Moving on,
I am not so sure her friends were really friends at all.
They egged her on to unnecessary jealousy and one
betrayed her unforgivably.
The
Maven: I agree! At least I would have brought you
toothpaste, EVEN AFTER THE FRUMPY REMARK! I've
always enjoyed Colin Firth, but I was a bit disappointed
that he had so little to do. Unfortunately, writing nice
guys with a personality is a talent few screenwriters
seem able to do.
The
Blonde: I don't agree…Hey, what about Tom Hanks in
Sleepless in Seattle? Can I state that I simply adore
Hugh Grant?! He is sexy, charming, a great actor, has a
great sense of humor, and is the total package. I also
think that Renée is an amazing, versatile, believable
actress. She has the uncanny rare talent and ability to
do drama, comedy, and musicals. She is a star.
The
Maven: I rate this film a C- for mildly amusing comedy,
not because any of the actors were bad, just some weak
writing and directing.
The
Blonde: Again, I disagree! Maybe because I love the
Bridget character so much. I hope we all find a man that
“loves us just the way we are,” as Bridget does. By the
way, I can't wait to go buy the soundtrack to this film.
Great music! Although the first Bridget was obviously
better, I still had a wonderful ride watching this one.
I highly recommend it. Ladies, go out to lunch with a
group of friends and then go see this film for a
delightful afternoon of fun. I rate Bridget Jones: The
Edge of Reason a B. For munchies, EAT, EAT AND EAT while
you're hanging out with Bridget Jones.
After the
Sunset—Sadly, Some Sunsets and Some Movies Aren’t
What they are Cracked Up to
Be
After the Sunset opens with an outrageously
impossible heist, a would-be final caper for two
brilliant, professional, (not to mention gorgeous) jewel
thieves. Max Burdett, played by Pierce Brosnan (James
Bond and Laws of Attraction) and his accomplice and
lover Lola Cirillo, portrayed by Salma Hayek (Frida and
Fools Rush In) have now successfully stolen two of the
three Napoleon diamonds which are among the most
valuable and rare gems on Earth. (Why bother with
anything less?) Despite the fact that the diamonds are
being protected by an army of cops and guards along with
FBI agent Stan Lloyd, played by Woody Harrelson
(“Cheers” and People Versus Larry Flint), they get away
with the crime. (Did you doubt it for a second?) Lloyd
has been on Burdett's trail for seven years. He’s
obsessed and more than anxious to bring him to justice.
Our clever master criminals, who were fortunate enough
to escape death, become enticed into an early
retirement. They disappear and abandon their lives of
crime to take up residence on a paradise, idyllic island
in the Bahamas.
For the next six months or so, our love-birds
live the good-ole life and enjoy themselves off their
ill-gotten fortune. Unfortunately for Lola, walking the
beach, lobster dinners, snorkeling, relaxing and
watching one too many sunsets can make any man bored to
tears, no less our handsome hunk of a thief. Let us not
forget the fact that all the pressure put upon him by
Lola to get married would send any devout bachelor back
to crime! (Can ya blame her, look at the guy?!) Max
begins to feel like a prisoner and is eager to pull one
more score.(stealing that is). As luck would have it,
Max hears that a cruise ship will be displaying the
third Napoleon Diamond and it is headed his way. (What a
coincidence?) The plot thickens when our plotting
FBI agent Lloyd brings a Paradise Island police
detective named Sophie, played by Naomi Harris, along
for the ride to hopefully catch the dynamic duo
red-handed. Use your most NON-VIVID imagination to guess
the ending!
The
Blonde: After the Sunset was like “Remington Steele”
meets James Bond meets Laws of Attraction, meets The Big
Bounce meets The Thomas Crown Affair all meets up with
The Pink Panther. I ask you, Maven, does anyone need a
diamond that big” I mean honestly. I do declare it was
even too big for me. Well maybe not me, I could manage,
but for the normal person.
The
Maven: Well, at least you realize you're NOT normal! As
for the film, all I can say is if you love the
Caribbean, amazing female bodies, outlandish heists and
characters with very little substance, go see this
film.
The
Blonde: What are you talking about? If Brosnan's body
had any more substance, I couldn't have handled it!
The
Maven: His character, you blonde!
The
Blonde: NEVER MIND…GA HEAD!
The
Maven: Speaking of bodies, Salma's body is perfect. Not
one flaw could be seen! Believe me, I looked!
The
Blonde: Well, you know we both have the same
trainer…
The
Maven: Well, it's obvious he spends more time on
her!
The
Blonde: OUCH, AND I DON'T AGREE…
The
Maven: Pierce was a little scruffy but still as handsome
as ever. If you're wondering why I am only mentioning
the stars’ looks, it's because that was what stood out
the most about this movie. Although the two actors did
have sexual chemistry, it totally paled in comparison to
the chemistry you saw with Renee Russo and Pierce in The
Thomas Crown Affair.
The
Blonde: Well, you haven't seen chemistry until you've
seen Pierce with me, honey… I must say, even at
times when the movie dragged a bit, it was a pleasure
just looking at these two MORE THAN BEAUTIFUL people.
Well to be perfectly honest, it was much more of a
pleasure looking at Pierce than “HER”… Ya know,
Salma… It's funny how you seem to root for the bad guy
even more when he's so handsome! I am really not much of
a Woody fan, so it's hard to even talk too much about
him either way.
The
Maven: Woody Harrelson's character had the most
definition. I understood the WHY of his craziness. I
even laughed with him.
The
Blonde: Speaking of Jane Fonda… She is making her
comeback debut this coming May in the film Monster in
Laws with J-Lo… Can't wait!
The
Maven: How do you get Jane Fonda from Woody Harrelson?
Never mind. The story was weak. I still don't know what
makes Brosnan's Max tick? I think he liked to steal
diamonds, but I'm not really sure that was his
motivation.
The
Blonde: Who cares… My only motivation for even seeing
this film in the first place was Brosnan's
looks.
The
Maven: I suggest you go rent the movie Rough Cut with
Burt Reynolds or The Thomas Crown Affair if you want to
enjoy heist movies. However, if you like Caribbean views
and Selma's magnificent body, go ahead and catch After
the Sunset before the sunsets at a discount. I rate it a
C-.
The
Blonde: Or if you want to see Brosnan's magnificent
body!! I think this story was done so many times
before and better. I rate it a C- - and suggest a
ton of your favorite candy to keep you from falling
asleep. Gotta run, have a date with my
trainer.
20th Anniversary of the Israel Film
Festival Celebrates Dynamic Israeli
Cinema
Israel Film Festival Founder and Executive
Director Meir Fenigstein recently announced the lineup
of over 28 new feature films, documentaries, and TV
dramas to be screened during the Festival in Miami,
which runs December 1-9, 2004 at the Sunrise
Intracoastal Cinema, 163rd Street, North Miami Beach.
Recognized for showcasing the best of Israeli cinema,
the Festival continues to build on its reputation with
new feature films and provocative television dramas, as
well as intriguing documentaries and films exhibiting
Israel’s cultural, religious, and political diversity.
Festival guests include directors, producers, and stars
who will discuss their work and conduct Q&A sessions
after their film screenings.
“We are delighted
that Miami will once again host the Israel Film
Festival,” said Fenigstein. “The Festival offers
American audiences a broader view of Israel beyond the
harsh news headlines, and a unique opportunity to
experience Israel’s rich cultural and social diversity
through the eyes of the country’s finest filmmakers. We
are extremely pleased with the caliber and diversity of
the work included in this year’s program—there is truly
something for everyone, including drama, comedy,
suspense, love stories, and
documentaries.”
Opening Gala and
Screening The Festival opens with the
award-winning smash hit Turn Left at the End of the
World, which has broken all box office records in Israel
since its release only four months ago. Directed by the
renowned Avi Nesher, recipient of the 2004 IFF Cinematic
Award, the film takes place in a tiny Israeli village in
the late sixties, where two immigrant families—one from
Morocco and the other from India—are forced to live
together as neighbors and build a sense of identity.
Meanwhile, the teenage daughters of both families become
friends, and their youth and desire for freedom help
them overcome prejudices. Opening Night Gala
festivities include an awards ceremony, which will be
followed by a reception with the honorees, Israeli
filmmakers, stars, and other dignitaries. Special
appearances include: Liraz Charhi, star of the film Turn
Left at the End of the World; Tamar Levi Elder, star of
the film Henry’s Dream; and Dudi Bergman, Director of
The Ringworm Children.
Festival
Highlights Selections this year include the
U.S. premiere of the award-winning, closing night film,
Nina’s Tragedies, which won Best Film and Best
Screenplay at the 2003 Jerusalem International Film
Festival, 11 Israeli Film Academy Prizes (including Best
Picture, Best Director, Best Actress, and Best
Screenplay), and is the first Israeli film to be
accepted to the Sundance Film Festival (2004). Written
and directed by Savi Gabizon, Nina’s Tragedies is told
through the eyes of a sensitive teenage boy who moves in
with his beautiful Aunt Nina after the death of her
husband, and shows the unpredictable intrigues of adults
as they stumble through excruciating loss, mind-blowing
sex, bizarre coincidence, mortal illness, and even
birth. A rare film, it achieves a lusciously paradoxical
“happy-sad” state.
Another highlight of
this year’s festival is Walk on Water, an edgy,
stylized, highly entertaining film by one of Israel’s
top directors, Eytan Fox. Walk on Water is the story of
a rigid, homophobic Israeli intelligence agent who has a
crisis of consciousness after he befriends the frank,
sensitive, gay grandson of the ex-Nazi officer he is
assigned to track down. The film has received numerous
awards, such as the Official Selection of the Toronto
International Film Festival 2004, and the opening film
for the Panorama section of the Berlin International
Film Festival 2004. Other films featured include: One
Small Step (directed by Shahar Segal), No Longer 17
(Isaac Zepel Yeshurun), Life is Life (Michael Bat-Adam),
Columbian Love (Shay Kanot), and Henry’s Dream (Eitan
Green).
Other documentaries include:
Channels of Rage (directed by Anat Halachmi and winner
of the 2004 IFF Audience Choice Award in New York and
Los Angeles), Good Vibes (Avner Benaim), My 100 Children
(Amalia Margolin and Oshra Schwartz), Columbia: The
Tragic Loss (Naftaly Gliksberg), Oriental (Avi Nesher),
The Ringworm Children (David Belhassen and Asher
Hemias), and Do They Catch Children Too? (Hedva
Galili-Smolinksy). Television dramas featured include:
Café Tales (directed by Amit Leor), Insight (directed by
Eyal Halfon, Awarded Best Israeli Film in Los Angeles
and New York), Hallelujah (Daniel Syrkin), Valley of
Dreams (Omri Givon), A Silence of the Sirens (Ori
Inbar), Purim (Lavi Ben Gal), Pretty Yardena (Yuval
Granot), Roots of Rage (Danny Raisfeld), and Jerusalem
Brew (Jacob Goldwasser and Nir
Bergman).
About the Israel Film
Festival Presented by the IsraFest
Foundation, Inc., a 501(c)(3) non-profit organization,
the mission of the Israel Film Festival is to promote
Israeli culture, teach tolerance, and provide an
intercultural exchange through the powerful medium of
film. Since its inception by Founder and Executive
Director Meir Fenigstein in 1984, the Festival has
presented more than 600 films and 300 filmmakers and
stars to more than 550,000 American filmgoers, making
the Festival the largest showcase of Israeli films in
the United States. The 20th anniversary of the festival
kicked off amid rave reviews in Los Angeles in April and
continued to sell-out crowds in New York. Currently the
festival is in Chicago, with Miami being its final
stop. The Festival expands the audience for Israeli
films by highlighting Israel’s cinematic talent and
increases the opportunities for distribution of Israeli
films in the United States. The Festival also brings
together American and Israeli film professionals,
promotes Israel as a film location, and facilitates
co-productions.
Ticket
Information All screenings take place at the
Sunrise Intracoastal Cinema, 3701 NE 163rd Street
(Intracoastal Mall), North Miami Beach. General
Admission Ticket Prices: Adults $9. All matinee
performances (before 6pm, weekdays) $7. Seniors,
students, and children $7 all performances. Opening
Night Gala: $50. Festival Pass: $36, good for five
films.
Advance tickets are on sale at the Sunrise
Intracoastal Cinema box office, 305-949-0064. For
tickets by credit card, special group rates, or more
information, please call Israfest at 1-877-966-5566. For
a complete schedule of films or to purchase tickets
online, please visit
www.israelfilmfestival.com. PHOTO
IDS 1. Netta Garti and Liraz Charhi in
Turn Left at the End of the World, directed by Avi
Nesher
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